The BrikWars Universe



Inhabitants of a plastic-brick universe heed no laws of logic, continuity, decency, or moderation. Unrestricted mayhem is the rule of the day.

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A Magikal Wonderland

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BrikWars is a marvelous Pandora's box, an endless celebration of mayhem, where every Koincidence falls in favor of maximum violence and life is cheap, plastic, boxy, and bears only the most superficial resemblance to our world of flesh and mortgages. Time is marked from moment to moment by oscillating peaks of melodrama and troughs of absurdity. Rules of continuity and physics are as malleable as Humans in the 'real' world have learned to expect from a lifetime of superhero comics, schlocky action movies, and public education, and they're unrelentingly trumped by the dramatic requirements of the moment and the liberal application of Murphy's Law. Even the rules governing BrikWars itself are unresistingly overturned by a haphazard shrugging of shoulders and the Humans' mutual whim. Spelling is consistently poor.

Brik, Not Brick

BrikWars is spelled without a 'c.' This is not a typo; this is part of the system's intrinsik nature. BrikWars turns a suspicious eye towards infidels who believe that rules are made to be followed. If there's a "right" way of doing things, including spelling, BrikWars stands in opposition to it.

The trappings of reality become 'realistik' when translated into BrikWars' realms: bricks become 'briks,' a mechanic becomes a 'Mechanik,' and acts of unconscionable and horrifying violence become 'Ossum.'

A Tradition of Gratuitous Everything

In their most dignified form, BrikWars conflicts pay witness to lovingly crafted scenarios and intricate models, presided over by serious wargamers and careful strategic thought, solemnly missing the point entirely. Dignity and BrikWars go together like one clone-brand brick with another: while they appear to fit at first glance, their attachment is brief and doomed to violent mutual repulsion.

BrikWars battles take place in a world of minifigs, and the minifig species draws its heritage from generations of hard-fought survival in the toy chests of six-year-old children. Whether knights, spacemen, construction workers, or chefs, their souls thrill with the racial memory of a time when a toy's highest calling was to do joyous and bloody battle with all challengers. In the primordial toybox, it doesn't matter if one toy is a fire truck and the other is a teddy bear, built to incompatible scales and originating from unrelated eras. It doesn't even matter whether they have anything to fight about. Pandemonium is the end in itself.

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Like all toys, minifigs exist for the sole purpose of getting themselves killed in the most entertaining and gratuitous manner possible. Castle guys blasted by space cruisers? Sounds great! Sea pirates versus assault helicopters armed with laser-guided stealth buzzsaw sharks? Go right ahead! These are the battles that BrikWars was made for.

Minifigs are not bothered by their own grisly deaths, because they've seen so many of their families and friends killed in similar fashion and they know how hilarious it is. Unlike green army men (who tend to get melted) and action figures (with their unfortunate affinity for getting blown up with firecrackers), a minifig's later reincarnation is almost assured, either in whole or in distributed parts. Hideous disfigurements and glorious deaths are the high points in an existence otherwise spent lying around bored in a box of unused bricks. So if for no other reason, you owe it to the poor guys. Inject a little joy into their lives by slaughtering them en masse.


The BrikVerse

As the first BrikVerse to contain true minifigs, the 1,978th Rekonstruktion was considered the original version. Following its seminal destruction by the Deadly SpaceMan, broken shards of its reality ripped forwards and backwards throughout the past and across dimensions, shredding the fabrik of the Brik timeline.

In the new 1,979th Rekonstruktion, the broad strokes of history kept a similar shape, but holes torn by chunks of the SpaceMan universe tangled the flow of Kanon with new snarls and dramatic complications.

The Royal bloodline in their Yellow Castle remained pure and strong, but the countryside was now overrun with strange flattened trees and the terrifying anthrofig abominations of Furbuland.

The hat-based caste system of the industrial age frayed at the edges: some minifigs ignored their policeman hats and became drivers instead of cops, while others put on never-before-seen chefs' hats in a direct insult to tradition. Anarchist factions bucked the system entirely, going hatless and wearing nothing but hair like common girl minifigs - even though they were boys! Chaos reigned.

As the space age dawned, new SpaceMen inevitably rose up along with it, this time in warships of even greater sophistication and variety, breaking the universe even more thoroughly and efficiently than before. Shards of the second universe exploded across the timeline, joined by extra bits still flying around from the first universe, and Brik history was mixed up even further.

A new, third history coalesced, incorporating the broken pieces of the first two. Then a fourth, and then a fifth, in never-ending recursion. Each catastrophic iteration injected new waves of minifigs and constructions from all the antecedent realities, becoming ever more sophisticated and complex. The pure Royal bloodline split into endless factions, and the great Yellow Castle became lost to obscurity after the 1,983rd Rekonstruktion. Plants and animals appeared in greater variety, and the original handful of citizen hat castes multiplied into unintelligible minifig multitudes.

Even the mighty SpaceMen split into faction colors, and then into Trons in the 1,987th Rekonstruktion. Today they're succeeded by a senseless mishmash of space factions, far removed from the undiluted SpaceMen who still erupt at the close of every timeline to destroy the universe again.

(BrikWiki entry: BrikVerse)